DEUTSCHE KINEMATHEK MUSEUM FÜR FILM UND FERNSEHEN
Über das Projekt

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

B52 Bomber

B52 Bomber

  • [B-52 Stratofortress]

    Inventarnummer
    SDK_4.6_201216_F24181_024
    Zeichner
    Adam, Ken
    Produktionszeitraum
    1962 - 1963 (CIRCAcircacirca)
    Material
    Filzschreiber (schwarz) / Grafitstift ((Vorzeichnung)) / Karton (Material)
    Technik
    gehöht / laviert
    Maße
    36.3 x 40.1cm (Blatt)
    [B-52 Stratofortress]
  • [Bomb Dropping Sequence]

    Inventarnummer
    SDK_4.6_201216_F24181_043
    Produktionszeitraum
    1962 - 1963 (CIRCAcircacirca)
    Maße
    64.1 x 51.9cm (Trägermaß)
    [Bomb Dropping Sequence]
  • Storyboard

    [Bomb Dropping Sequence]

    Inventarnummer
    SDK_4.6_201216_F24181_044
    Zeichner
    Adam, Ken
    Produktionszeitraum
    1962 - 1963 (CIRCAcircacirca)
    Material
    Karton (Material)
    Maße
    80.0 x 60.0cm (Blatt)
    [Bomb Dropping Sequence]
  • Storyboard, Reproduktion (bearbeitet)

    [Bomb Dropping Sequence]

    Inventarnummer
    SDK_4.6_201216_F24181_045
    Zeichner
    Adam, Ken
    Produktionszeitraum
    1962 - 1963 (CIRCAcircacirca)
    Maße
    80.0 x 60.0cm (Trägermaß)
    [Bomb Dropping Sequence]
  • Storyboard, Reproduktion (bearbeitet)

    [Bomb Dropping Sequence]

    Inventarnummer
    SDK_4.6_201216_F24181_046
    Produktionszeitraum
    1962 - 1963 (CIRCAcircacirca)
    Maße
    44.9 x 32.0cm (Trägermaß)
    [Bomb Dropping Sequence]

Alternative Entwürfe

Zum Hintergrund

"There was a funny incident when American air force personnel were invited onto the set and they saw our CRM-114 or whatever it was called, a box of no return. We just came up with something because we had no idea what the real thing looked like, but apparently it was very near to the mark. They went white when they saw all that classified information in the film. I got a memo from Stanley, who hoped I could justify all my research because we could be investigated by the CIA!" (Ken Adam)

Christopher Frayling: Ken Adam: The Art of Production Design. London 2005, S. 113.

Filmclip / Interview zum Hintergrund

Details