DEUTSCHE KINEMATHEK MUSEUM FÜR FILM UND FERNSEHEN
Über das Projekt

Salon Kitty

SS-Building, Ufficio Biondo

    Hauptmotivtyp

    Innenraum

    Hauptmotiv

    Bürooffice

    Film (Detailseite)

    Salon Kitty
    Alle Details

    SS-Building, Ufficio Biondo

    • [Ufficio Biondo]

      Inventarnummer
      SDK_4.6_201216_F5131_015
      Produktionszeitraum
      1975 (CIRCAcircacirca)
      Maße
      16.5 x 24.8cm (Blatt)
      [Ufficio Biondo]
    • [Ufficio Biondo]

      Inventarnummer
      SDK_4.6_201216_F5131_015
      Produktionszeitraum
      1975 (CIRCAcircacirca)
      Maße
      16.5 x 24.8cm (Blatt)
      [Ufficio Biondo]
    • Reproduktion (bearbeitet)

      [Ufficio Biondo, Prima Versione]

      Inventarnummer
      SDK_4.6_201216_F5131_003
      Zeichner
      Adam, Ken
      Produktionszeitraum
      1975 (CIRCAcircacirca)
      Maße
      21.0 x 27.9cm (Blatt)
      [Ufficio Biondo, Prima Versione]
    • [Ufficio Biondo]

      Inventarnummer
      SDK_4.6_201216_F5131_002
      Produktionszeitraum
      1975 (CIRCAcircacirca)
      Maße
      25.2 x 35.0cm (Blatt)
      [Ufficio Biondo]
    • Reproduktion

      [Ufficio Biondo, Prima Versione]

      Inventarnummer
      SDK_4.6_201216_F5131_057
      Produktionszeitraum
      1975 (CIRCAcircacirca)
      Maße
      30.9 x 21.9cm (Blatt)
      [Ufficio Biondo, Prima Versione]
    • Reproduktion

      [Ufficio Biondo, Seconda Versione]

      Inventarnummer
      SDK_4.6_201216_F5131_058
      Produktionszeitraum
      1975 (CIRCAcircacirca)
      Maße
      30.9 x 21.9cm (Blatt)
      [Ufficio Biondo, Seconda Versione]
    • Reproduktion

      [Ufficio Biondo]

      Inventarnummer
      SDK_4.6_201216_F5131_059
      Produktionszeitraum
      1975 (CIRCAcircacirca)
      Maße
      30.9 x 21.9cm (Blatt)
      [Ufficio Biondo]

    Alternative Entwürfe

    Zum Hintergrund

    "[Christopher Frayling:] One of the most memorable sets in Salon Kitty is the vast Nazi office, which is so large that the officer roller-skates the length and the breadth of it. It has huge high ceilings, giant windows and swastikas everywhere. It's overpowering.

    [Ken Adam:] Well I wanted to do it that way. And when you say roller-skating, in Italy it was cheaper to use real marble when we were doing a shiny floor than to do a mock-up, but of course nobody believed it at the time."

    Christopher Frayling: Ken Adam and the Art of Production Design. London 2005, S. 205.

    Details

    Assoziierte Personen:
    Berger, Helmut
    Steiner, John
    Film (Detailseite):
    Salon Kitty