DEUTSCHE KINEMATHEK MUSEUM FÜR FILM UND FERNSEHEN
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68th Academy Awards, Stage

    Hauptmotivtyp

    Innenraum

    Hauptmotiv

    Bühne

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    68th Academy Awards, Stage

    • [68th Academy Awards, Stage]

      Inventarnummer
      SDK_4.6_201216_F22714_002
      Produktionszeitraum
      1996 - 1997 (CIRCAcircacirca)
      Material
      PapierPaper (transparent)
      Maße
      20.2 x 14.2cm (Blatt)
      [68th Academy Awards, Stage]
    • [68th Academy Awards, Stage]

      Inventarnummer
      SDK_4.6_201216_F22714_003
      Produktionszeitraum
      1996 - 1997 (CIRCAcircacirca)
      Maße
      14.6 x 21.5cm (Blatt)
      [68th Academy Awards, Stage]
    • [68th Academy Awards, Stage]

      Inventarnummer
      SDK_4.6_201216_F22714_004
      Produktionszeitraum
      1996 - 1997 (CIRCAcircacirca)
      Material
      PapierPaper
      Maße
      20.9 x 13.9cm (Blatt)
      [68th Academy Awards, Stage]
    • [68th Academy Awards, Stage]

      Inventarnummer
      SDK_4.6_201216_F22714_007
      Produktionszeitraum
      1996 - 1997 (CIRCAcircacirca)
      Material
      PapierPaper (transparent)
      Maße
      29.6 x 21.0cm (Blatt)
      [68th Academy Awards, Stage]
    • [68th Academy Awards, Stage]

      Inventarnummer
      SDK_4.6_201216_F22714_008
      Produktionszeitraum
      1996 - 1997 (CIRCAcircacirca)
      Material
      PapierPaper (transparent)
      Maße
      35.7 x 22.7cm (Blatt)
      [68th Academy Awards, Stage]
    • [68th Academy Awards, Stage]

      Inventarnummer
      SDK_4.6_201216_F22714_023
      Produktionszeitraum
      1996 - 1997 (CIRCAcircacirca)
      Material
      PapierPaper
      Maße
      36.0 x 25.9cm (Blatt)
      [68th Academy Awards, Stage]
    • Inventarnummer
      SDK_4.2_201216_F22714_002
      Produktionszeitraum
      1996 - 1997 (CIRCAcircacirca)

    Alternative Entwürfe

    Zum Hintergrund

    "For the interior I found a college outside New York which had a big theatre, and I did a big Oscar setting. Glenn Close presented the Oscar and Scott loved the design i did for it. He was an amazing producer – difficult but amazing – and with a designer like me they never accept something that is maybe realistic but not special. But you can't always be special on a subject which is realistic, you know. But with the Oscars I could use imagination."(Ken Adam)

    Christopher Frayling: Ken Adam and the Art of Production Design. London 2005, S. 262.

    Details

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    Assoziierte Personen:
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